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Gymnastics
Revolution
PARENTS
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The Press Handstand
By:
Brian Bakalar
Coaches
often insist that their gymnasts train the Press to Handstand as
part of a workout, or as part of a routine.
This skill is among the most important key elements in the
sport, and an effective training element, as well.
This skill is often used as a
conditioning exercise, as well as in routines on Balance Beam and
even Floor Exercise. What
makes it important to the development of a gymnast is its
combination of strength, balance, flexibility, and body
positioning. There
are several ways to perform a Press Handstand, sometimes beginning
from a simple stand with legs straddled, sometimes from a Straddle
“L” position, and sometimes in any
number of other starting positions.
The legs are then lifted upward, usually through a
straddled position, until the body is balanced on the hands,
slowly and consistently moving toward a handstand.
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In one of its simplest forms, the
Press Handstand starts from the aforementioned stand in a
straddled position. The
hands are placed, shoulder width apart, on the floor.
By leaning forward, the feet begin to lift.
As soon as the feet leave the floor, the gymnast’s body
is required to be in perfect balance, shifting the shoulders
forward (a “planche” position) and backward to perfect
alignment in the handstand. The balance requirements of a press handstand are often
overlooked.
In
addition, the Press Handstand requires flexibility, specifically
in the hips. As the
legs rotate upward to a Handstand, they go through a very wide
straddle. The better
the flexibility, the lesser the requirements of strength in the
Press Handstand. Regardless
of flexibility, the skill does require intense strength.
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One of the ways to develop the strength required for a press
handstand is to isolate the muscles of the hips, stomach, and
legs. An effective
exercise is to perform a Press to Handstand against a wall.
The gymnast places her hands on the floor 4 to 12 inches
from the wall, and leans her shoulders against the wall.
Then, from a straddled stand, she executes the press to a
handstand, without straightening out into a true handstand.
Immediately, she should lower her legs back to the floor,
touching her toes to the floor, and repeat the exercise.
By leaning against the wall, she can repeat the exercise
without practicing the balance portion of the skill.
Another
method for practicing the Press to Handstand is repeated practice
with a spot. The
coach can hold the thighs of the gymnast, or the hips of the
gymnast, and guide her body through
the proper positions. Repeating
these motions will increase strength, as well as understanding of
the required movements of the skill.
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The Press
Handstand is a catchy element when choreographed into an optional
routine. It
demonstrates exceptional ability, but its best value is probably
as part of a conditioning program.
The TOPs program requires mastery of the Press Handstand,
and its value is widely recognized.
Good strength in a Press Handstand helps the Cast to
Handstand on bars, needed for just about every difficult skill,
from a giant to a tkatchev. The
same balance that the Press Handstand trains is needed for
multiple skills in tumbling and on Balance Beam.
And of course, a strong handstand position, which is aided
with training the Press to Handstand, is of paramount importance
on all events. It is
easy to see why coaches demand a solid Press to Handstand from
their athletes.
The Press
Handstand has a part in the development and training of any
gymnast, and should not be overlooked.
At Gymnastics Revolution, it is an imperative part of the
training of our All Stars and Team gymnasts.
As with all gymnastics skills, the Press Handstand should
only be performed under the supervision of a knowledgeable and
certified gymnastics coach.
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